Dramatic didot typeface1/1/2024 ![]() ![]() Written, designed, and illustrated by Jonathan Hoefler. Interior printed black plus two spot colors. Saddle stitched with matte card stock cover printed in two colors, illustrated with fragments of ‘agate’ content rendered in the Retina typefaces. ( dba Hoefler & Frere-Jones), New York, n.d., (but August 2003). Additionally featured are the Gotham, Gotham Condensed, Hoefler Titling, Hoefler Text, Knockout, and Requiem type families. 8 is the first printed type specimen to feature Shades, the company’s first collection of two-color ‘chromatic’ typefaces, to which eight interior pages are devoted. Opens with the announcement that ‘in celebration of our ongoing collaboration’ with designer Tobias Frere-Jones, who came to work for the studio in 1999, ‘the company will enter its sixteenth year as Hoefler & Frere-Jones.’ Catalog No. The largest Hoefler type specimen to date, and the final one at this trim size, Catalog No. Outer signature printed two colors, remainder black only. Saddle stitched with matte card stock cover printed in three colors, illustrated with a collage of letterform parts abstracted from the Shades typefaces that debut in this specimen. ( dba Hoefler & Frere-Jones), New York, 2004. Originally printed in an edition of 25,000, but owing to an error in bindery, few copies were considered acceptable and the bulk of the run was pulped, making this an exceedingly scarce type specimen. This is the first printed type specimen to include the Archer, Chronicle, Gotham Extra Narrow, Gotham Narrow and Sentinel typefaces additionally includes htf Didot, Gotham, Gotham Condensed, Gotham Rounded, Hoefler Text, Hoefler Titling, Knockout, Mercury Display, Mercury Text, Numbers, The Proteus Project, Requiem, Shades, Verlag, Verlag Compressed, Verlag Condensed, Whitney, Whitney Condensed, and Whitney Index. isbn 0 7įollows the trim size and grids of Catalog No. Written and illustrated by Jonathan Hoefler, designed by Jonathan Hoefler with Brian Hennings. ![]() Pages 19 and 69 are trimmed short to demonstrate how the ‘grades’ of the Mercury Text and Chronicle Text typefaces compare. Inside covers beneath flaps illustrate a set of forty-eight suggested font pairings. Notch bound in gloss laminated card stock with folding flaps, printed four-color (stochastic), illustrated with Hoefler’s ‘patchwork’ composition of typefaces. New Typefaces: Hoefler & Frere-Jones Catalog of Typefaces, No. The endpapers are a dramatic redevelopment of the ‘ladder’ design that Hoefler introduced in the company’s first type specimen, expanded here from the original library of thirty typefaces to a palette of more than one thousand. ![]() A return to writing in this catalog, including Hoefler’s notes on the design of the Decimal, Surveyor, Ringside, Inkwell, Operator, and Ideal Sans families, which appear in a type specimen for the first time, as do the Isotope, Landmark, Obsidian, Peristyle, Peristyle Stencil, Quarto, and Tungsten families. The first Hoefler type specimen at this trim size, and therefore featuring entirely new artwork. Interior printed black plus three spot colors. ![]() Notch bound in matte laminated card stock, printed two colors front and rear covers feature a collage of fragments of type specimens using Hoefler typefaces. 11, subtitled ‘New and Recent Typefaces by Hoefler&Co., Eleventh Edition.’ The Hoefler Type Foundry, Inc. Typefaces by Hoefler&Co.: Catalog of Typefaces, No. ![]()
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